
How High Land was borne
During Covid, my daughter – then single – was in lonely lockdown at her home in Melbourne, whilst I was tucked away in country NSW. We’d chat a lot and for Tessa, who was just starting on her own writer’s journey, this seemed an ideal time to spend the long evenings getting some words on paper. I suggested we write a story together – perhaps take it in turns to add a scene and see what we came up with.
Enthused by my plan, I suggested ‘A murder mystery set between a small village in NSW and a bustling Melbourne metropolis, during the 2020 coronavirus pandemic, told from the viewpoints of an elderly man and a sassy 30-something. With seemingly nothing to link the pair, the events which bind them gradually become chillingly clear.’
I started Chapter One:
In a small town there are no secrets. A dead rabbit. A dead wombat. Rumours start and collect credence. Fields are being poisoned. This is deliberate.
I then wrote the first 200 words of our soon-to-be bestselling cosy mystery, and emailed it to Tessa, sure that she’d be equally excited and her creative juices would start madly flowing.
‘What did you think?’ I asked on the phone that night.
‘Nah. It didn’t grab me.’
‘Oh.’ I was a bit flabbergasted, but wasn’t going to be thwarted or see her enthusiasm for our project dampened. ‘What sort of thing does interest you?’
‘Mmmmm…’ I could almost hear her cogs ticking. ‘I think it would be pretty cool to write a story about a girl who survives a tandem skydive that kills her instructor. I’d read that.’
Now it was my turn to be deflated – a bit like the parachute in her high concept idea – because I’d never skydived, nor ever had any interest in skydiving. ‘Ok-aaaay.’
‘Mum, I’m really busy, I don’t think I’ll have time. Why don’t you do something without me.’
Really busy? In lockdown? I could sense a brush-off. We hung up.
But the miracle girl who fell to earth and lived to tell the tale wouldn’t let go. She kept nagging at me until finally I gave into the urge, and scratched the itch. It was time for another phone conversation with my daughter.
‘Would you mind if I wrote that story?’
She seemed bemused to be asked. ‘Of course not … Go for it!’
So High Land was born, inspired by, and written for, my daughter, with enormous gratitude for giving me the idea.
Sarah talks to Andrea Barton about the challenges of shifting genres: from thriller to historical fiction to rom-com.
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